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Art craft "Shimadzu Satsuma Kiriko(faceted) Crystal glass"
15mm Go Stone Set and 9X9 Go Set
【October Recommendations】
Luxurious Gold leaf Go equipment
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Go board
Board craftsman Mr.Torayoshi Yoshida made Go board
Board craftsman Mr.Keiji Miwa made Go board
Go board with legs
Table Go board
Other Go boards such as miniature board,9*9-ro Go board, Off-spec Go board, etc.
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Legendary Hyuga Special Clamshell Go Stones
Clamshell Go stones Premium
Clamshell Go stones Blue Label
Replenishment of Go stones
Colored Go stones
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Clamshell Go stones craftsman Mr.Yoshifumi Shimozuru produced Go stones
Go stones Care Kit
碁石お手入れキット
碁石厚み見本セット
3*3 Go Boards and Go Stones Trial Set
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One-of-a-kind, exquisite Go bowls
Wooden Go bowls
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Traditional Craftsman: Nishikawa Takashi made Go Bowls
Wood craftsman "Kai-shi (懐志)" made Go bowls
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Beginner set
Go 3-piece set
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100th Anniversary Memorial Go set
Dazzling Go stones "KIRAMEKI"
GODIANA
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Board craftsman Mr.Torayoshi Yoshida made Shogi Board
Board craftsman Mr.Keiji Miwa made Shogi Board
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traditional lacquer craft "Wajima-Nuri"
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Handmade Kaya Crafts
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Japanese calligraphy ink brush traditional craftsman "Fuku-zui" made "Toyohashi-Fude"
Art craft "Shimadzu Satsuma Kiriko(faceted) Crystal glass"
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Traditional craftsman Mr.Takashi NISHIKAWA made Crafts
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Tale of Genji illustrated on shells
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Art craft "Shimadzu Satsuma Kiriko(faceted) Crystal glass"
Art craft "Shimadzu Satsuma Kiriko(faceted) Crystal glass"
15mm Go Stone Set and 9X9 Go Set
15mm Go Stone Set and 9X9 Go Set
【October Recommendations】
【October Recommendations】
Luxurious Gold leaf Go equipment
Luxurious Gold leaf Go equipment
Manager's Recommend
Manager's Recommend
Sale
Sale
New product
New Go Products
New Shogi Products
New Arrivals and More
Go supplies
Go supplies
Go board
Board craftsman Mr.Torayoshi Yoshida made Go board
Board craftsman Mr.Keiji Miwa made Go board
Go board with legs
Table Go board
Other Go boards such as miniature board,9*9-ro Go board, Off-spec Go board, etc.
Go stones
Legendary Hyuga Special Clamshell Go Stones
Clamshell Go stones Premium
Clamshell Go stones Blue Label
Replenishment of Go stones
Colored Go stones
Mini size and other Go stones
Clamshell Go stones craftsman Mr.Yoshifumi Shimozuru produced Go stones
Go stones Care Kit
碁石お手入れキット
碁石厚み見本セット
3*3 Go Boards and Go Stones Trial Set
Go bowls
One-of-a-kind, exquisite Go bowls
Wooden Go bowls
Mini Go bowls and other Go bowls
Traditional Craftsman: Nishikawa Takashi made Go Bowls
Wood craftsman "Kai-shi (懐志)" made Go bowls
Go set
Beginner set
Go 3-piece set
Other Go related products
100th Anniversary Memorial Go set
Dazzling Go stones "KIRAMEKI"
GODIANA
Shogi supplies
Shogi supplies
Shogi Pieces
"Fuji Koma no Kai" (Shogi pieces craftsman Association) Shogi Pieces
Shogi pieces craftsman made Hand-carved high-grade Shogi pieces
Mikurajima and Satsuma hon-tsuge (real Japanese boxwood) Shogi pieces
Maple, plastic, and other Shogi pieces
Shogi board
Board craftsman Mr.Torayoshi Yoshida made Shogi Board
Board craftsman Mr.Keiji Miwa made Shogi Board
Shogi board with legs
Table Shogi board
Other Shogi boards, including bargain Shogi boards
Shogi pieces stand
Shogi pieces box
Shogi set
Other Shogi-Related Products
Japan Art Crafts
Japan Art Crafts
Kyoto Kiyomizu-Yaki Potter "陶仙窯 / To-sen-gama"
"丹影 / Ni-Ei" made Kyoto Kiyomizu-yaki
Kyoto-style folding fan"O-nishi Kyo-sen-do"
traditional lacquer craft "Wajima-Nuri"
Bizen Pottery
Dazzling Go stones "KIRAMEKI"
Cherry bark crafts shop "Yatsu-yanagi" made Products
"Tsugaru-Nuri" Crafts Goods
Calligrapher Mr.Satoshi Iwao work
Inkstone made by inkstone craftsman "Hozan Nagura"
Nachiguroishi Workshop "Karitani Baikando"
Handmade Suzuka Sumi ink "Shinseido"
Handmade Kaya Crafts
Long-established karuta stores "Oishi tengu do"
Japanese calligraphy ink brush traditional craftsman "Fuku-zui" made "Toyohashi-Fude"
Art craft "Shimadzu Satsuma Kiriko(faceted) Crystal glass"
Craft
Traditional craftsman Mr.Takashi NISHIKAWA made Crafts
Clamshell & Kaya wood Craft
Tale of Genji illustrated on shells
Clamshells for Japanese traditional game "Kai-awase"
Go set rental service
About Go set Rental
Go set Rental for companies and organizations
Rental Agreement
How to choose
About Go
About Go Stones
About the Go board
About Go bowls
Maintenance of Go Stones
About Shogi
How to choose Shogi Pieces
How to Select a Shogi Piece Stand and Shogi Piece Box
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Traditional Art Craft "Tsugaru-nuri / Kara-nuri" finish table Go board size 20
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This Go board is Traditional Art Craft "Tsugaru-nuri / Kara-nuri" finish table Go board size 20, a traditional craft of the Tsugaru region of Aomori Prefecture with a history of over 300 years.
"Kara-nuri" is a lacquer craft technique that requires several months to complete, with a great deal of time and effort put into the process by specialized craftsmen: 17 processes for the base coat, 25 processes for Kara-nuri, and the top coat (finishing coat).
"Kara-nuri" is a representative technique of "Tsugaru-nuri" lacquer ware.
It is characterized by a richly colored abstract pattern created by layering colored lacquer with a spotted lacquer pattern using a spatula with holes, and then grinding the colored lacquer to a finish.
For more details, please check "What is Tsugaru-nuri / Kara-nuri?".
Details
This Go board is produced and made by "Kara-nuri", one of the lacquer craft techniques of "Tsugaru-nuri".
The most attractive feature of "Kara-nuri" finished jujube is its shiny surface and smooth touch.
The bottom is finished with wiped lacquer.
*Please check the photo images.
What is "Kara-nuri" ?
"Kara-nuri" of the traditional craft of Tsugaru-nuri is a traditional lacquer technique that has been passed down in Aomori Prefecture for over 300 years.
After applying lacquer several dozens of times, a polishing finish is applied to create a profound and artistic pattern.
Tsugaru-nuri has four typical techniques (Kara-nuri, Nanako-nuri, Nishiki-nuri, and Monsha-nuri), and "Kara-nuri" is one of these techniques.
The name "Kara-nuri" seems to derive from the fact that imported goods from China were originally called "Kara-mono".
"Kara" also means "excellent" or "rare".
The main feature of "kara-nuri" is the basic technique of variegated polished varnished lacquerware, which has a profound atmosphere with beautiful fault lines of colored lacquer.
In "kara-nuri", a special tool called a "trick spatula" is used to create unique patterns.
The finished product is infinite, depending on the combination of colors and the pattern of the device.
Technically speaking, it is a traditional technique of polishing and coating called "Kyu-shitsu", and lacquer is applied 20 to 30 times before giving the work a polishing finish.
This technique is not a method of drawing a pattern on top of the coat but is instead characterized by the depth of the pattern that emerges from the base coat, as well as the delicate yet intense pattern caused by the pattern of the base coat emerging through repeatedly applying lacquer and polishing the surface.
The process is a technique that requires a great deal of time and effort, with 17 base coats, 25 Kara-nuri coats, and a topcoat (finishing coat).
* For more information on each process, please refer to [ About the "Kara-nuri" Process ].
Its glossy surface and smooth texture never cease to enchant those who gaze their eyes on its beauty.
About the "Kara-nuri" process
Base coats
1. Sanding the wooden base: The surface of the wood is sanded with sandpaper.
2. Hardening the wooden base: The base coat lacquer is rubbed into the wood.
3. Kokuso carving: Indicator lines are carved using a sword.
4. Kokuso - 1st time: Kokuso lacquer is applied.
5. Kokuso - 2nd time: Kokuso lacquer is applied again.
6. Kokuso-hadake: The work is sanded smooth with a kokuso plane and a rough grindstone.
7. Wrapping in cloth: Cloth is cut for dressing the work in cloth.
8. Cloth dressing: The cloth is pasted with nori-urushi, a mixture of urushi and rice paste.
9. Cloth removal: Excess cloth is removed.
10. Kukuri base lining: The base lacquer is applied.
11. Kukuri base sanding: The work is sanded smooth with a rough grindstone.
12. Base lining: The base lacquer is applied.
13. Base sanding: The work is sanded smooth with a rough grindstone.
14. Applying of kirikoji mixture: A kirikoji mixture made up of a polishing powder (fine powder made by straining clay) a ground powder (a powder made by baking and crushing soil), and raw lacquer is applied.
15. Polishing of kirikoji coat: The work is sanded with a fine rough grindstone. And Sabizuke: A rust-like lacquer made up of polishing powder and raw lacquer is applied.
16. Sabitogi: The work is sanded with a red whetstone and Nagura whetstone.
17. Primer surface coating: A primer surface coat of lacquer is applied to areas that are not patterned (the back and rear surface etc. of a lacquered jubako box).
Kara-nuri
1. Lacquer formulation : Making a drawing lacquer.
2. Lacquer painting : Painting, patterned and dried.
3. Tane-urushi coating:Tane-urushi (seed lacquer) is applied evenly.
4. Tane-maki (scattering of seeds): Rape blossom seeds are scattered on the coated surface.
5. Tane-hagi (seed peeling): The fruit of the rape blossom is peeled with a spatula.
6. Seed husk removal: The husk of the fruit that has failed to peel off is removed.
7. Tane-togi: The seeds on the coated surface are sanded with a whetstone.
8. Age-nuri: A colored lacquer, which acts as the base color, is applied.
9. Ara-togi: Ring patterns are produced by sanding with a finer whetstone than the tane-togi stage.
10. Shigoki-nuri - 1st time: The lacquer used in the age-nuri stage is applied so that it can be applied with a spatula.
11. Shigoki-togi: The work is sanded flat with a whetstone.
12. Shigoki-nuri - 2nd time: The work is sanded flat with a fine whetstone or water-resistant sandpaper (#800 to #1,000).
13. Chu-togi (mid-level sanding): The work is sanded flat with a whetstone
14. Shigoki-nuri - 3rd time: The lacquer used in the age-nuri stage is applied so that it can be applied with a spatula.
15. Shiage-togi (finish polishing): The work is sanded flat with a fine whetstone or water-resistant sandpaper (#800 to #1,000).
16. Charcoal sanding base: The surface of the work is hardened by applying suri-urushi (a very fine lacquer coating).
17. Sumi-hagi: Charcoal and water-resistant paper (#1,200 to #1,500) are used to sand the surface flat.
18. Senbenshita - Done 2 to 3 times: Suri-urushi is applied until no more lacquer can be absorbed by the surface.
19. Senben-koguri: This stage is also known as dozuri in which fine scratches are removed from the body of the work with oil and polishing powder.
20. Suri-urushi: Raw lacquer is rubbed into the surface of the work and wiped off.
21. Kasane-suri: The surface is wiped clean with washi (Japanese paper).
22. Glossing - 1st time: The work is polished with a glossing powder (titanium powder) or compound.
23. Glossing - 2nd time: The surface is wiped clean with washi paper or gauze.
24. Finish glossing: The work is polished with a glossing powder (titanium powder) or compound.
25. The Nanako-nuri process is now finished.
Specification
Traditional Art Craft "Tsugaru-nuri / Kara-nuri" finish table Go board size 20
Materials : Shin-kaya (Spruce) wood
Size : About 454 ㎜ × 423 ㎜ × 58 ㎜
Weight : about 5.2 kg
1,000 JPY flat rate shipping within Japan, free shipping for purchases totaling 20,000 JPY or more.
Please bear the actual cost for shipping charges outside Japan.
Notice about Product
You may find small knots, burrs, rolled-in bark as all these products are made of natural trees.
There may be some small flaw or scratch, dent, chipping.
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